Tuesday, 6 December 2011

The Art of the Title - Research

Juno

0:16 – ‘Fox Searchlight Pictures presents’
0:21 – ‘A Mandate Pictures + Mr Mudd Production’
0:26 – ‘A Jason Reitman Film’
0:30 – ‘Juno’
0:39 – Ellen Page
0:43 – Michael Cera
0:49 – Jennifer Garner
0:57 – Jason Bateman
1:01 – Allison Janney
1:06 – J.K. Simmons
1:11 – Olivia Thirlby
1:18 – ‘Casting by Mindy Marin (csa) Kara Lipson’
1:22 – ‘Costume Designer Monique Prudhomme’
1:27 – ‘Music by Mateo Messina, Songs by Kimya Dawson’
1:34 – ‘Music Supervisors Peter Afterman and Margaret Yen’
1:39 – ‘Co-Producers Jim Miller Kelli Konop Brad van Arragon’
1:43 – ‘Film Editor Dana E. Clauberman’
1:49 – ‘Production Designer Steve Saklad’
1:53 – ‘Director of Photography Eric Steelberg’
1:59 – ‘Executive Producers Joe Drake Nathan Kahane Daniel Dubiecki’
2:04 – ‘Produced by Lianne Halfon John Malkovich Mason Novick Russell Smith’
2:10 – ‘Written by Diablo Cody’
2:18 – ‘Directed by Jason Reitman’

Taxi Driver

0:01 – ‘Columbia Pictures Presents’
0:08 – ‘Robert De Niro in’
0:35 – ‘Taxi Driver’
0:39 – ‘A Bill/Phillips Production of a Martin Scorsese Film’
0:43 – ‘Starring Jodie Foster’
0:45 – ‘Albert Brooks as Tom’
0:47 – ‘Harvey Keitel’
0:49 – ‘Leonard Harris’
0:51 – ‘Peter Boyle as Wizard’
0:53 – ‘and Cybill Shepherd as Betsy’
1:07 – ‘Music by Bernard Herrmann’
1:13 – ‘Supervising Film Editor Marcia Lucas Film Editors Tom Rolf a.c.e Melvin Shapiro’
1:18 – ‘Special Makeup Dick Smith’
1:21 – ‘Visual Consultant David Nichols Creative Conslutant Sandra Weintraub’
1:25 – ‘Director of Photography Michael Chapman’
1:29 – ‘Written by Paul Schrader’
1:32 – ‘Produced by Michael Phillips and Julia Phillips’
1:40 – ‘Directed by Martin Scorsese’

It is clear from both these films that a large amount of titles must be put into a film, perhaps more so than our two minute time frame allows. However, as we do not have a cast or crew as large as either of these films I would imagine that we would be able to fit all our necessary titles into the time frame of our film. Personally, I would imagine that our title sequence would not dominate the screen in the way that the titles of either Juno or Taxi Driver do, as both are montages while our film has more of a narrative to it.

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