Number | Cut | Type | Visual Content | Sound | Colour | Time | Actors | Drawn By | |||
1 | - | - | Black screen | Muffled sounds, then a sharp scream | Black | 5 seconds | - | ||||
2 | Quick cut | CU on face | Main character wakes up on DLR, looks to his side as other man speaks | Dialogue ‘You alright mate?’ | High key – DLR lights | 6 seconds | - | ||||
3 | Straight cut | MS on both characters from behind | Both characters seen from behind, partially obscured by seats | Dialogue ‘Yeah I’m fine… long day’ | High Key – DLR lights | 4 seconds | - | ||||
4 | Straight cut | Revert back to shot 2 | Character looks back out of window | Diegetic | High key – DLR lights | 3 seconds | - | ||||
5 | Straight cut | Long shot | Canary wharf +surrounding buildings | Diegetic | Low key – night time, with ambient lights | 3 seconds | - | ||||
6 | Straight cut | Revert back to shot 4 | Second character has gone | Diegetic | High key – DLR lights | 2 seconds | - | ||||
7 | Straight cut | Wide shot | Empty carriage, apart from main character | Diegetic – train sounds | High key – DLR lights | 4 seconds | - | ||||
8 | Straight cut | Revert back to shot 3 | Character looks down to seat | Diegetic | High key – DLR lights | 2 seconds | - | ||||
9 | Straight cut | High angle, book on chair | ‘Heart of Darkness’ by Joseph Conrad | Diegetic | High key – DLR lights | 2 seconds | - | ||||
10 | Straight cut | Low angle of main character | He looks up from book at closing doors | ‘Stand clear of the doors’ | High key – DLR lights | 4 seconds | |||||
11 | Straight cut | Wide angle of DLR | DLR leaves platform | Train begins to start up and leaves | Low key – ambient lights of station | 6 seconds | - |
Monday, 14 November 2011
Shot List - Table
Labels:
AS Foundation Portfolio,
Planning
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